By now, my husband really should know better than to leave plywood laying around out in the open inside our garage where anybody who lives here can steal it. If he wants to keep the plywood for his own use he should hide it somewhere out of sight, amirite?
Anyhoo, in a related matter, here’s the latest in my ongoing series of purloined plywood art projects:
When I first saw the board, it wasn’t much to look at. In its previous life, it had obviously been used outdoors because it was weathered and worn and had dried chunks of glue on it.
I liked the size of it, though — 17 inches x 57 inches — and the fact that it was all beat up.
It gave me the idea to paint an image on it that was kind of old and weathered looking, like those faded billboards that you still see occasionally on barns and brick walls, advertising tobacco or 10-cent Pepsi Cola.
With my plywood being tall and skinny, I thought a silhouette of the Statue of Liberty would fill the space and make a nice patriotic statement for the Fourth of July.
I played around with different ideas in Photoshop and ultimately decided to set the silhouette off center and have it bleed off the edge of the wood with the word “LIBERTY” (in Avenir Next Bold) next to it.
Then I printed the image out. Because it was so large, it tiled out onto 14 pages.
I laid the pieces out on my deck and jigsaw puzzled them together. And if you’re wondering why I have a comb, a mirror, two remote controls, a set of keys and a pack of cinnamon Trident laying on top of the paper, it’s because it was a little breezy at the time and I was trying to keep the pages from blowing away.
After taping the pieces together and removing the random weights, I moved inside, away from the wind, and scribbled onto the back side of the outlines with a pencil.
Then I flipped the paper over and traced the outlines to transfer the pencil lead onto the sign board.
I filled in the outlines with homemade chalk paint. My secret recipe: a smidge of plaster of Paris, a little water, and a big glob of regular latex paint.
The plaster of Paris makes the paint flat and chalky. You have to keep mixing it as you’re working with it to keep the paint smooth and prevent the plaster of Paris from settling at the bottom, but it’s a cheap and easy way to use what you’ve already got instead of going to the store and buying a quart of name brand chalk paint.
Despite the sign’s overall bigness, it didn’t take long to paint, because there wasn’t any putzy detail work involved.
In my book, you can never go wrong with a project that offers maximum impact with minimum putziness.
Ta da. All painted.
To make the sign look old and weathered, I scuffed up the paint with my sander and then dug out some furniture wax I had on hand.
I coated the entire sign with clear wax first. Then I put some dark wax on the edges and other spots I wanted to look aged. I got a little heavy handed with the dark wax on some parts, but the beauty of working with wax is, if you’ve got a coat of clear wax on first, you can “erase” dark wax by going over those spots with more clear wax.
Here’s the sign on my porch.
I’ll leave it setting out for the summer, and then in the fall, my plan is to paint something else on the flip side that I can display for the rest of the year. Maybe a welcome sign? Or a family name sign? I’m still waiting for inspiration to strike.
Anybody else have ideas for a fun, all-season sign on a tall, skinny board? Let me know in the comments below.
Welcome to the new, improved Wisconsin Magpie. The blog, that is, not the blogger. Sadly, I am still the same old angst-ridden, out-of-shape, puddle of indecision and self-doubt that I have always been. But the blog is all bright and shiny and new, thanks to a move from an antiquated beginner-level Blogger template to a grown-up WordPress one.
